Madison’s work explores gender roles, the performance of femininity, and the politics of intimacy in theatre.

While studying at NYU, she pursued a minor in dramaturgy, developing a deep interest in how performance constructs identity, power, and spectatorship. Her interest in dramaturgical thinking began during her freshman year after reading Presence in Absentia, a text that sparked her curiosity about how audience-performer relationships and physical embodiment function on stage. Since then, she has approached both her academic and creative work through a dramaturgical lens, investigating how intimacy and gender are performed, negotiated, and witnessed in theatrical space.

See her work below.